Collectors Among Us: Salvatore Ambrosino

Collectors Among Us: Salvatore Ambrosino

| 05.08.25

Collectors Among Us is an ongoing series featuring some of our favorite watch collectors — and friends. In addition to finding out what makes their watch collection tick, we better understand their collecting philosophy as a whole, as well as uncover their other interests and how they intersect the world of horology. We all have a story that encapsulates our collecting journey — this one belongs to Salvatore Ambrosino.

Watches have a way of connecting people. I’ve yet to pinpoint precisely why. Could it be because these little mechanical objects intersect a host of industries? Is it the shared fascination of its connection to historical moments? Is it the personal connection? Or maybe it’s just plain and simple — watches are pretty damn cool.




I guess you can chalk it up to one (or all) of the above as to how I crossed paths with Salvatore Ambrosino. The invitation by a colleague to check out the L’Arte Nascosta trunk show at The Armoury was somewhat vague. 'You should come and check out this trunk show … it’s this guy that curates a bunch of engraved jewelry and handmade leather goods.” As I recalled.


Tucked away in the back of The Armoury’s 69th Street brick-and-mortar establishment was a table peppered with all sorts of neat things — engraved rings, necklaces with different types of charms (including mini mosaics and coins from a bygone era), pocket knives, and a suite of leather goods. Naturally I gravitated to the watches on the table and to my surprise, a Seiko SKX007 on an olive drab NATO had a beautifully engraved buckle with initials and an intricate decoration. How does one put all of that onto a surface so small? And so I asked the gentleman behind the table, Salvatore Ambrosino, and the rest is history.

Ambrosino is a historian, storyteller and tastemaker all wrapped in one. Each product and its details is accompanied by a story intertwined with serendipitous encounters, bits of deepcut history, and incredible artisanship. It’s no wonder that any time I had a question for him he’d respond with, “We better sit down.” And so we would.

 

Only this time, we chatted with a couple of microphones attached and recorded it with a few cameras.

There are multiple themes in Ambrosino's collecting journey. The seed was planted early on in his childhood when his father taught himself how to repair antique clocks. With the constant ticking and tinkering going on, there’s no surprise that Salvatore found an interest in watches as well as hand craftsmanship.




Omega is a mainstay in his collection: From the vintage DeVille and Constellation passed down from his grandfather to his Speedmaster Moonphase — a complication he has grown to adore and, coincidentally, one present in most of the antique clocks his father repaired — he owns several of them. His affinity for military design is also apparent in his collecting and aesthetic. From his first watch (a Cabela's field watch found in a Vietnam-era Alice pack) to his curated products  —which include NATOs with hand-engraved buckles and charm necklaces inspired by a soldier’s dog tags — this sort of utilitarian design surrounds him.


 

Ambrosino's Tudor Black Bay 54 for The Armoury is emblematic of a journey filled with “full-circle moments." The L’Arte Nascosta story begins at The Armoury, and it seemed fitting to share his story under that same roof with this watch on his wrist. 

The patron-artisan experience is everything and more to Amrosino, and it doesn’t take long to understand that Salvatore “gets it." And when I say “it,” I’m referring to why we all gravitate towards vintage watches.

As Salvatore eloquently put it, “They’re perfectly imperfect.”

CREDITS:

Guest Salvatore Ambrosino   / salvambro  

L'Arte Nascosta   / lartenascosta  

Host Thomas Calara   / thomascalara  

Venue The Armoury   / thearmourynyc  

Video Mark Salud   / ma.dulas  

Video Greg Pallante   / gregpallante  

Photo Michael Sawyer   / sawyersalright